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Gratis Bücher A Field Guide to Getting Lost, by Rebecca Solnit
Gratis Bücher A Field Guide to Getting Lost, by Rebecca Solnit
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A Field Guide to Getting Lost, by Rebecca Solnit
Gratis Bücher A Field Guide to Getting Lost, by Rebecca Solnit
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Pressestimmen
"An intriguing amalgam of personal memoir, philosophical speculation, nature lore, cultural history, and art criticism."--Los Angeles Times"An altogether sublime collection. . . she sees in the act of embracing the unknown a gateway to self-transcendence."--Maria Popova, Brainpickings.org"This indespensable California writer's most personal book yet, alive as ever to the subtle nuances of the natural world, but newly responsive to the promptings of her own heart and history."--San Fransisco Chronicle "This meditation on the pleasures and terrors of getting lost is . . . a series of peregrinations, leading the reader to unexpected vistas."--The New Yorker"An ode to losing yourself and finding out what's on the other side of familiarity. For Ms. Solnit . . . getting lost is more than a matter of merely physical circumstances. It's a state of mind to be embraced and explored, a gateway to discovering more about yourself in relation to the rest of the world."--The Dallas Morning News
Über den Autor und weitere Mitwirkende
Writer, historian, and activist Rebecca Solnit is the author of seventeen books about environment, landscape, community, art, politics, hope, and feminism, including three atlases, of San Francisco in 2010, New Orleans in 2013, and New York in 2016; Men Explain Things to Me; The Faraway Nearby; A Field Guide to Getting Lost; Wanderlust: A History of Walking; and River of Shadows: Eadweard Muybridge and the Technological Wild West (for which she received a Guggenheim, The National Book Critics Circle Award in Criticism, and the Lannan Literary Award). She is a columnist at Harper's and a regular contributor to The Guardian. She lives in San Francisco.
Produktinformation
Taschenbuch: 224 Seiten
Verlag: Penguin Books; Auflage: Reprint (27. Juni 2006)
Sprache: Englisch
ISBN-10: 9780143037248
ISBN-13: 978-0143037248
ASIN: 0143037242
Größe und/oder Gewicht:
12,9 x 1,4 x 19,7 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
2 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 31.559 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
the book consists of 7 essays, each dealing with distance, abandon, getting lost. intriguing investigations into cultural and personal history, language, art and nature. some of the most powerful and beautiful, yet clear writing i have ever read.
wunderbar zu lesende Aneinanderreihung von klugen Gedanken, geistreich, manchmal nachdenklich und oft funkelnd vor Witz, menschliche, spannende und anrührende kleine Geschichten und Überlegungen.Flüssig wie ein Roman, informativ wie ein Sachbuch und doch keins von beidem, eher Essays zum Zeitgeist.Mindestens so interessant wie ein Gespräch mit besonders wertvollen und dabei auch noch sympathischen Gesprächspartnern.
Sometimes we need to lose ourselves in order to find something we never knew existed. Solnit provides fascinating stories of loss and discovery. Her narrative drifts, those expecting a tightly organized group of essays may be disappointed. But those willing to stop and reflect periodically will be rewarded with very insightful stories that could change how they see themselves and the world. For me, it was that my identity was more fluid than I realized, and not to be ashamed to acknowledge when I'm at a loss, when I'm struggling how to best be in the world.
Little did I know that this book would be the perfect follow up to Maggie Nelson’s Bluets, which I read last month. Together they’d form a beautiful Venn diagram made solely of different shades of blue. This is my first foray into the writing of Rebecca Solnit – poignant and beautiful, and full of appreciation for the natural world and our ephemeral place in it – and I’m now hooked. In this book Solnit explores the different ways in which a person can get lost, both physically and psychologically, the power of wandering and of deliberately shedding or simply losing one’s sense of place, and the inestimable value of the unknown. In addition to overlapping themes regarding the color blue, A Field Guide to Getting Lost and Bluets are poetic kindred in their heady interweaving of history, art, philosophy, and personal memoir. Just as with Bluets, I found frequently myself marking passages so that I might easily find them again later.“There is a voluptuous pleasure in all that sadness, and I wonder where it comes from, because as we usually construe the world, sadness and pleasure should be far apart. Is it that the joy that comes from other people always risks sadness, because even when love doesn’t fail, mortality enters in; is it that there is a place where sadness and joy are not distinct, where all emotion lies together, a sort of ocean into which the tributary streams of distinct emotions go, a faraway deep inside; is it that such sadness is only the side effect of art that describes the depth of our lives, and to see that described in all its potential for loneliness and pain is beautiful?â€And one more because I can’t help myself:“The places in which any significant event occurred become embedded with some of that emotion, and so to recover the memory of the place is to recover the emotion, and sometimes to revisit the place uncovers the emotion. Every love has its landscape. Thus place, which is always spoken of as though it only counts when you’re present, possesses you in its absence, takes on another life as a sense of place, a summoning in the imagination with all the atmospheric effect and association of a powerful emotion.â€
One of my favorite books of all time. I read it at a transitional point in my life, and there were so many quotes that gave me courage.
This book was one of the most frustrating books I have read in quite some time. I still don’t even know what the book is about, and I have had that feeling through all 206 pages of it. Rebecca Solnit blathers on and on fastidiously about nothing and everything, sometimes changing subjects within the same paragraph. What is she trying to tell the reader??? I guess the title is appropriate— I did get lost. Extremely confusing writing style.
The root of the word, 'lost', is the Old English 'losian', to perish. Today, it carries some of that association, but more often means that we simply do not know where we are. Of course, many explorers have died knowing exactly where they were, some in circumstances readily manageable by locals. On the other hand, many pioneers settling in the wilderness and largely ignorant of where they were in the world, lived long and thrived. There is a second sense of the word 'lost' as being without direction or guidance--the 'lost generation.' I find that Ms. Solnit's essay bridges these two meanings of the word to bring a brighter context to being lost. Being lost is an opportunity to create new connections to place and people, to expand our existing map beyond its anxious margins. As ignorance is the starting place of learning, being lost is the starting place of finding oneself in the world. I think for those who like to travel, this book may offer reasons and caveats for allowing oneself to get lost, to wander off the tour, and expand their maps of the known world.
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